Cartoon Brew tells me that Rock and Rule (aka DRATS, to you Canadians) will be out on DVD next week.
I remember one of my teachers at Sheridan College going all glassy-eyed when discussing the making of this movie. He told us how for the final scene where the demon rises up, the animators tried to film/rotoscope real blood spilling out over a sheet of glass with a camera underneath. Heady NFB-esque experimental stuff. Which didn’t work so well because they were really really high. Seems part of the money for art supplies was being funneled to midday cannibis breaks while Clive Smith would change things on the fly, making the final storyboard a piecemeal of bar napkin scribbles and effectively sending the writers to early graves. With this kind of kinetic filmmaking going on, it’s a wonder the movie is as coherent as it is.
Overheard at a rush screening:
“Jesus, guys… this makes no sense…”
“What doesn’t?”
“What?”
“What doesn’t make sense?”
“I see trails.”
My teacher (no I won’t name him) also talked about how cool it was to have Lou Reed, Iggy Pop and Deborah Harry (at that time still hanging around Toronto from Videodrome shoots?) in and out of the studio, trying hard to jumpstart their careers by recording songs for the movie. I still hum “My name is Mok. Thanks a lot.” every so often.
Pay attention to the lips of the lead character, Mok. Yes, they’re Mick’s. You’d have to be living under a box not to realize that, but they’re really the star of the movie. Never has a facial part been so lovingly animated. Disney always went after the eyes. The animators of Rock and Rule were so high, they never got off the lips.